Generali
Roger FISKE, English theatre music in the eighteenth century, London, Oxford University Press, 1973, XIV, 684 pp. [F.XVIII.30]
Valerio CAPPELLI, Glynderbourne, in, Amadeus, Anno XXIX, n.333, Agosto 2017, pp.76-79 [PER.M.25]
Glasgow
Peter HEMMINGS, «Scottish Opera», in Gisella BELGERI – Italo GOMEZ (a cura di), Teatro Lirico e organizzazione musicale nelle regioni della Comunità europea, Atti del Convegno Intarnazionale (Como, 14-16 marzo 1975), Como, Editrice Cesare Nani, 1975, pp. 46-48 [Y.COMO.1]
London
W. J. MACQUEEN POPE, Theatre Royal: Drury Lane, London, W. H. Allen, 1945, 350 pp. [L.LON.10]
Arthur H. SCOUTEN (edited with a critical introduction by), The London stage 1660-1800: a calendar of plays, entertainments & afterpieces together with casts, box-receipts and contemporary comments: compiled from the playbills, newspapers and theatrical diaries of the period. Part 3: 1729-1747, Carbondale, IL, Southern Illinois University press, 1961, 2 voll. [L.LON.2.3.1-2]
George Winchester STONE, jr. (edited with a critical introduction by), The London stage 1660-1800: a calendar of plays, entertainments & afterpieces together with casts, box-receipts and contemporary comments: compiled from the playbills, newspapers and theatrical diaries of the period. Part 4: 1747-1776, Carbondale, IL, Southern Illinois University press, 1962, 3 voll. [L.LON.2.4.1-3]
Emmett L. AVERY – Arthur H. SCOUTEN, The London stage, 1660-1700: a critical introduction, Carbondale, Edwardsville Illinois, Southern Illinois University Press, London, Amsterdam, Feffer & Simons, 1968, CLXXXII [L.LON.7.1]
Emmett L. AVERY, The London stage, 1700-1729: a critical introduction, Carbondale, Edwardsville Illinois, Southern Illinois University Press, London, Amsterdam, Feffer & Simons, 1968, CXCII [L.LON.7.2]
Charles Beecher HOGAN (edited with a critical introduction by), The London stage 1660-1800: a calendar of plays, entertainments & afterpieces together with casts, box-receipts and contemporary comments : compiled from the playbills, newspapers and theatrical diaries of the period. Part 5: 1776-1800, Carbondale, IL,Southern Illinois University press, 1968, 3 voll. [L.LON.2.5.1-3]
Charles Beecher HOGAN, The London stage, 1776-1800: a critical introduction, Carbondale, Edwardsville Illinois, Southern Illinois University Press, London, Amsterdam, Feffer & Simons, 1968, CCXXIV [L.LON.7.5]
Michael KELLY, Reminiscences of Michael Kelly of the King’s Theatre and Theatre Royal Drury Lane, 2 voll., ristampa anastatica dell’edizione London 1826, New York, Da Capo Press, 1968, 396 pp. [E.KELLY.1.1-2]
Arthur H. SCOUTEN, The London stage, 1729-1747: a critical introduction, Carbondale, Edwardsville Illinois, Southern Illinois University Press, London, Amsterdam, Feffer & Simons, 1968, CXCII pp., [L.LON.7.3]
George Winchester STONE, jr., The London stage, 1747-1776: a critical introduction, Carbondale, Edwardsville Illinois, Southern Illinois University Press, London, Amsterdam, Feffer & Simons, 1968, CCXVIII pp., [L.LON.7.4]
Daniel NALBACH, The King’s Theatre, 1704-1867: London’s first Italian opera house, London, Society for theatre research, 1972, XII, 164 pp., [L.LON.9]
J.P. WEARING, The London stage 1890-1899: a calendar of plays and players, Metuchen, Scarecrow press, 1976, 2 voll.: 1: 1890-1896; 2: 1897-1899, [L.LON.3.1-2]
Sesto FASSINI, Il melodramma italiano a Londra nella prima metà del Settecento, Bologna, Forni, 1979, 91 pp., [L.LON.11]
Raymond MANDER – Joe MITCHENSON, The theatres of London, Westport, Greenwood Press, 1979, 292 pp. (cronologia) [L.LON.15]
Frederick C. PETTY, Italian opera in London, Ann Arbor, UMI, 1980, XI, 426 pp. (cronologia) [L.LON.1]
J.P. WEARING, The London stage 1900-1909: a calendar of plays and players, Metuchen, Scarecrow press, 1981, 2 voll.: 1: 1900-1907; 2: 1908-1909 [L.LON.4.1-2]
J.P. WEARING, The London stage 1910-1919 : a calendar of plays and players, Metuchen, Scarecrow press, 1982, 2 voll.: 1: 1910-1916; 2: 1917-1919 [L.LON.5.1-2]
Graham F. BARLOW, Vanbrugh’s Queen’s Theatre in the Haymarket, 1703-9, in, «Early Music», vol. XVII, n. 4, November, 1989, pp. 515-521 [PER M 420]
Robert D. HUME, The Haymarket Opera in 1711, in, «Early Music», vol. XVII, n. 4, November, 1989, pp. 523-537 [PER M 420]
Paul CAMPION – Rosy RUNCIMAN, Glyndebourne Recorded. Sixty Years of Recordings, 1934-1994, London, Julia MacRae, 1994, XVII, 261 pp. [BM.44.31.4]
Theodore FENNER, «The theatres», in ID., Opera in London: views of the press, 1785-1830, Carbondale, Edwardsville, Southern Illinois University press, 1994, pp. 70-84 e pp. 358-364 [F.XVIII.86]
Curtis PRICE et al., Italian opera in late eighteenth-century London, 2 voll., Oxford, Clarendon, 1995-2001, [L.LON.7.1-2]
Judith MILHOUS – Robert D. HUME, Heidegger and the management of the Haymarket Opera, 1763-1717, «Early Music», vol. XXVI/1, February 1999, pp. 65-84 [PER M 420]
Della COULING, La Royal Opera House di Convent Garden, in, «Avidi Lumi», Anno IV, n. 9, 2000, pp. 32-36 [PER M 108]
Christophe CHARLE, Théâtres en capitales: naissance de la société du spectacle à Paris, Berlin, Londres et Vienne, 1860-1914, Paris, Albin Michel, 2008, 572, [L.EU.5]